Shape Computation Lab

In-between | Glass Art and Community Center, Doraville, GA

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01. Kindergarten models for the design parti of the project

02. Ground floor plan of the glass art and community building.

03. Second floor plan of the glass art and community building.

04. Third floor plan of the glass art and community building.

05. Longitudinal sections of the glass art and community building.

06. Transverse sections of the glass art and community building.

07. Longitudinal elevations of the glass art and community building.

08. Transverse elevations of the glass art and community building.

09. Detailed section along the main circulation bar of the project

10. Aerial view of the model of the glass art and community building.

11. View of the courtyard facade and the garden of the building

12. Frontal entry to the project along the main diagonal of the site.

13. Interior view of the main circulation bar with a staircase leading to mezzanine spaces

Matt Williams

ARCH 3012: Visual Computation Design Studio

Athanassios Economou, PhD

School of Architecture

College of Architecture

Georgia Institute of Technology

Spring 2007

 

Keywords

Glass studio; Light; Configuration; Landhuggers; Shape grammars

The proposal for the Doraville Glass Art and Community Center creates a literal and metaphorical new center for the community functioning as a new public garden and a unique three-dimensional lenses to capture light and celebrate the program of glass art. The organizational parti is derived by the spatial relation of horizontal and oblique zones and their resolution in variants of the helix form. The project seeks to create a unique experience through an ascending and descending movement within a constantly changing volume completely immersed in light. The embrace of natural light furthers the dynamic qualities of the project whereas daily and seasonal changing moods are captured and expressed through the facade and structure and onto the space within. This further enables the freedom of expression whether it is through the actual making of glass for specific lighting conditions or the design of gallery displays.